Child of
the Top 40's: Growing up, every child from the Dallas area knew 106.1 Kiss
FM. When the jingle came on and the commercials ended, you knew you
were about to hear the newest Brittany Spears song or chart topping Backstreet
Boys tune. And in the age where iTunes was only in its infant stages, it was
difficult to find music outside of those 40 familiar hits that played on most
every radio station on loop. Just as the author of “The Long Tail Economy”
states, we were “subjected to brain-dead summer blockbusters and manufactured
pop. Why? Economics.” I was completely unaware of the labyrinth of punk
rock and rap and jazz that I would eventually fill my head…until I got an
iPod. From then on out, my iTunes library expanded along with my
horizons. It housed the soundtrack of my life as I grew up. The author
continues, explaining that many of us finally wandered “further from the beaten
path, they discover their taste is not as mainstream as they thought.” But I never would have thought that my random
scattered taste in music would be the main moneymaker. Didn’t top
40’s hits still rule the music world? That is why they are hits?
Chris
Anderson’s article about the “long tail” economy completely caught me off
guard. He claims, “If the 20th- century entertainment industry was about hits,
the 21st will be equally about misses,” due to one main evolution: we are
now free from the chains of physical space. Before, we operated in a world of
entertainment scarcity, only watching what the Blockbuster would stock and
listening to the CD’s Target deemed high earners. Anderson says, “now, with
online distribution and retail, we are entering a world of abundance.” And in that abundance—every under-the-radar book
series and underground band—lies the big money.
Adult in
the Online News Age: So as a journalist, my next question was…how do news outlets take advantage of
these long-tail profits? If you believe in traditional reporting, our content is not necessarily new or
unique but rather cold, hard, unchanging facts. But, similar to the entertainment
industry, we are no longer confined to the physical space of newspaper layouts
or limited one hour newscasts. Readers can click to the next article endlessly. They start reading the headline and end up
watching a video of a panda bear hugging an elephant baby in a zoo in a far
away city.
The Journal of Media Economics published a study
(http://dct.nctu.edu.tw/files/faculty_files/fct_15/Huang_2014a.pdf) that
discusses how content diversity, niche content, and filtering drove up traffic
on news sites. For example, USA Today has over 459 content categories to choose
from. They cited one study that surveyed "five
mediums’ top 10 news stories and found that 40% of the top stories on news
sites were not covered by newspapers, network television, cable
television. (2010, http://jmq.sagepub.com/content/92/3/700.full.pdf+html).
Is this the same phenomenon as the
long-tail in the entertainment industry? Are mainstream news sites covering
hits while alternative sites with filters and subcategories and niche content
really attracting more readers and viewers? And what does this say about the future of news. Are people
just not interested in what has traditionally made headlines? These were all
questions that "The Long Tail Economy" raised. And these are the questions
that journalists like myself will have to begin to answer.
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